This is another good doco. <iframe width="480" height="360" src="http://www.youtube.com/embed/4gY3B-uHtx0" frameborder="0" allowfullscreen></iframe> Not sure where can you see the full version at these days, but I'm sure someone will track something down.
Because Mousey is oblivious to how our Offense will work I will be posting up 3 drawings using MS paint in about 1 hour. Stay tuned
<iframe width="480" height="360" src="http://www.youtube.com/embed/lAPu4nLzDbQ" frameborder="0" allowfullscreen></iframe> What a beast he was.
1. I set a high onball screen for frizzed as seen in blue a) If my defender roles over to frizzed as he passes I then pop to the top for the open 3. b) If he doesn't role over Frizzed cuts to the rim with power 2. If the corner (orange) Probably needs to be a double threat scorer (azza, Amiya or aby) roles onto Frizzed he then has a choice finish hard or dump for the open 3 or cutting wingman 3. If the other bigmans defender roles over Frizzed can dump the other direction for a birdman like finish from Read or Burridge 4. it is actually ment to be someone running from the corner getting open as a defensive outlet pass incase Frizzed doesn't like the options (BIgguns or Logan) Most of our plays will be similar to this is Frizzed is bringing up the ball. 0 chance of using a post game in this offense
1. I start high looking to set an onball screen but drop low and offball screen Frizzed. 2. Logan/Bigguns bring the ball up and hook to the same side as I have just screened for this creates a 3 on 3. Now If they double Frizzed to deny him the ball I will be left open OR Logan/Bigguns will be open for an easy look. If they don't deny Frizzed will be left with space. 3. Is a stagger screen slowing down Frizzed's man even more and forcing a bigman to role over to stop the easy lay up. Then once he is backpedalling Frizzed can pull up or draw the foul. If he help comes from the orange wingman the exit is there to Amiya/Azza/Aby 4. Can spot up or wait for Bigguns/Logan to roll to the top and get the ball in their hands